The Rhythmic Structure_ OUTWARD FACING

I DOTT an annual competition that encourages surface print  students to be involved in a competition that allows them to enter into the competition and select briefs to create unique and fresh designs.
I have chosen to select IDOTT due to my last project allowing me to apply unique patterns onto duality of surfaces , and this project been given a specific brief to each category. As much as I like writing my own brief, i much prefer to work with a brief that is written already, i prefer someone else's brief because I can expand on what they had thought already and by expanding this could be taking the brief to another level and to create something that was not planned.

The project for myself will be an extended version of Ansley's brief on rhythm, my projects will be inspired from a 1950s artist Lucien Day and other artists. The connection with 1950s print is how structured and freely the designers used there work back in the 1950s by producing strong, bold marks that created a new way of print to be seen as, the research for this project has been collected by Marnie Foggs 1950s print[fig1]: Using the book as a source was to create a body of research that could help me create newer and fresher marks that would eventually lead me away from the 1950s style and that it would categories my work differently by me interrupting the work and creating it into a rhythmic way, The outline of this project is to use marks that would create fluent shapes and a structured outcome with a linear quality to them.
The colour pallet for this project has been selected from the 1950s era. 

[fig1]