Tuesday, 13 December 2016
LASER PATTERNS_CONTEXT
To finish off this project named: LASER PATTERNS, i created a context board that would be presented at the end of assessment along with sketchbooks that document the process and development of the laser designs, as well as the research journal i had along side me to show the initial ideas and how the concept has evolved into complex patterns that can be used on different surfaces to demonstrate duality print, to show the final outcome of the assessment I have placed a portfolio that shows the Laser Patterns through the use of photography that show each unique laser cut into small sub collections and to show further development is another portfolio of the "Development Collections" being the experimentation of the lights.
Monday, 12 December 2016
LASER PATTERNS_REFLECTION/DIRECTION
Collection
one: The Eye
Collection
Two: The Jigsaw
Collection
Three: The Diamond
Collection
Four: The Web
Collection
Five: The Windows
Collection
Six: The Lined Windows
Collection
Seven: The View Finder
Whilst I had photographed the main collections, I had the chance to play around with the laser cuts on there own by using lights to create projections on to the walls. The projections added extra into the project as this gave me more awareness of what architects work looks like, from experimenting with light I have created a development collection, naming the light section "the development collection" shows my thought for improvement and my awareness for experimenting.
Whilst I had photographed the main collections, I had the chance to play around with the laser cuts on there own by using lights to create projections on to the walls. The projections added extra into the project as this gave me more awareness of what architects work looks like, from experimenting with light I have created a development collection, naming the light section "the development collection" shows my thought for improvement and my awareness for experimenting.
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| Blue Collection |
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| Red Collection |
Monday, 28 November 2016
LASER PATTERNS_CONTEXT
Marimekko
has always been an inspiration and a reliable reference for my work, this being used as an reference again now is that I found that where my patterns are now they have
Marimekko style to them because of there complex and minimal style.
Why I
mention Marimekko further more is because of the duality of there work, duality
in print is having the same design/pattern and for it to be applied on to
different surfaces, for instance with Marimekko it can be for interiors and
fashion.
In relation to the development of this project is how I'm using the same patterns but then have edited them to be a little bigger or smaller for instance, and then they have been created further by layering and photographing them in interesting ways to create a further pattern. To which these patterns can be used in collections and then can be used in a duality context of applying them to a surface.
Presentation
thoughts lead me with Marimekko to always consider on how to present the duality context, from how subtly they use the duality of
prints. As seen on the image below, you have the sofa being the main feature in that room and then
some sort of kettle having the same print, but it seems to be a smaller print, then you have the matching dinner set that has similar colours to cushion and a similar print to the sofa and kettle. Using this image, was to consider how I can playfully use my duality of prints in the same
context, but subtly involve it.
Tuesday, 22 November 2016
REFLECTION/DIRECTION
I looked back into the repeated patterns I initially showed Rachel from the start of
this project, as I looked further into the older patterns I started to pick
upon key motifs that I could work further with to create more interesting repeated
patterns that would represent a complex and geometric theme due to my
architecture influences. [fig7,8]
![]() |
| [fig7] |
![]() |
| [fig8] |
Before I
started working even further into the patterns, I had to test out the stenciled
idea, I started to play around with stenciling on paper to try and create a
transparent effect just like the structured buildings used in architecture, I
like how you can see through and into the buildings and I wanted to create that
in my designs somehow and the best way to create this initial idea was to use a
simple technique of stenciling and if that being a successful outcome then I can
start to consider the patterns further and the laser process further.
The
stencils were done free hand, and were quick motifs picked out from older
designs, I had the patterns placed underneath
that gave the whole design a layered effect. This interest me, of using
layering to create further complex patterns, but there was something missing
with these designs.
The problem
was whilst comparing them to the architecture research was that the designs had
no white spaces, they were an all over pattern and not a placement pattern; for
me to further this potential outcome and to correct the problem was to create a
range of laser motifs as an all over repeated design with limited spacing that
could then be placed over the pattern designs.
[fig4,5,6]
![]() |
| [fig 4] |
![]() |
| [fig5] |
Whilst
working and editing the older patterns, I started to pick up on single motifs
that would create intricate patterns for the laser process, these motifs
selected would be placed into a repeat and edited to show the difference
between the flat designs and the laser designs, wanting to use a process
like laser cutting would benefit my time on this project due to the designs
being complicated and busy. I had to bare in mind what material I wanted to use
for these designs, as I wanted to represent a sturdy, structured outcome I
needed a material that would not be flimsy and not transparent, I decided the
laser patterns would be cut out on black card, this being the black card eliminates
the white completely and a thick card for it to be not as flexible.
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